Helen Marguerite Clark (February 22, 1883 – September 25, 1940) was an American theatre and silent film actress. As a movie actress, at one time Clark was second only to Mary Pickford in popularity. "Foreign news: 'Tough for Has'-beens'." Variety, June 8, 1927, p. 2.O'Dell, 1970 p. 146: "Mary Pickford's closest rival was Marguerite Clark..." See section below on "rivalry." With a few exceptions and some fragments, most of Clark's films are considered lost films.O'Dell, 1970 p. 146: "...Though it is at least possible to view Mary Pickford's films in private collections at the George Eastman House, none of Miss Clark's productions are known positively to exist."
She made her Broadway theatre debut in 1900. The 17-year-old performed at various venues. In 1903, she was seen on Broadway opposite hulking comedian DeWolf Hopper in Mr. Pickwick. The Hopper dwarfed the "petite and daintly" Clark who stood four-foot-ten-inches (1.5 meters).O'Dell, 1970 p. 147: "...the four foot ten fairy..." O'Dell quoting Alice Hall, see Bibliography, p. 148 note no. 39. She starred opposite Hopper again in Happyland in 1905. Several adventure-fantasy roles followed. In 1909, Clark starred in the whimsical costume play The Beauty Spot, establishing the fantasy stories which would soon become her hallmark.Blum 1988, p. 109. In 1910, Clark appeared in The Wishing Ring, a play directed by Cecil B. DeMille which was later made into a motion picture by Maurice Tourneur. That same 1910 season had Clark appearing in Baby Mine, a popular play produced by William A. Brady.
In 1912, Clark performed in a lead role with John Barrymore, Doris Keane and Gail Kane in an English adaptation of Arthur Schnitzler's play Anatol, which was later made into the film The Affairs of Anatol by Clark's future movie studio Famous Players–Lasky and directed by DeMille. That same year, she starred in a retelling of Snow White and the Seven Dwarfs. The classic tale was adapted for the stage by Winthrop Ames (writing under the pseudonym Jessie Braham White), who closely oversaw its production at his Little Theatre in New York and personally selected the lead actress. Clark expressed her delight in the role, and the play had a successful run into 1913.
After seeing Clark’s performance in a revival of Merely Mary Ann (1914), film producer Adolph Zukor signed her to make motion pictures with his Famous Players Film Company.
Once signed with Adolph Zukor's Famous Players Film Company, she was cast in starring roles in more than a dozen Feature film. Her first appearance on screen was in the short film Wildflower (1914), directed by Allan Dwan.Ballard. Mike. "Marguerite Clark, Film Fantasy Queen." greatlivesinhistory, February 22, 2010. Retrieved: January 9, 2012.
Marguerite Clark's emergence as an outstanding film actor was acknowledged by 1915, when Moving Picture World, in a review of The Goose Girl, based on a 1909 best-selling novel by Harold MacGrath, reported that Clark "conquers her audience in an instant." She performed in the feature-length production The Seven Sisters (1915), directed by Sidney Olcott, and then reprised her stage role in a film that would define the Clark persona—the influential 1916 screen version of Snow White.
Clark was directed in this by J. Searle Dawley, as well as in a number of films, notably when she played the characters of both "Little Eva St. Clair" and "Topsy" in the feature Uncle Tom's Cabin (1918).
Clark starred in Come Out of the Kitchen (1919), which was filmed in Pass Christian, Mississippi, at Ossian Hall. The same year, she enrolled as a in the naval reserves. Clark made all but one of her 40 films with Famous Players–Lasky, her last with them in 1920 titled Easy to Get, in which she starred opposite silent film actor Harrison Ford. Her next film, in 1921, was made by her own production company for First National Pictures distribution. As one of the most popular actresses going into the 1920s, and one of the industry's best paid, her name alone was enough to ensure reasonable box office success. As such, Scrambled Wives was made under her direction, following which she retired at age 38 to be with her husband at their country estate in New Orleans.
Critic Alice Hall, writing in Picturegoer magazine (April 1921), observed that the 34-year-old Clark, near the end of her film career "seems to have discovered the secret of perpetual youth; and with it moreover, to have combined the grace and charm which the wisdom of experience alone can bring."
According to film historian Paul O'Dell, the competition was evidenced primarily by the apparent hostility between Pickford's mother Charlotte and Clark's mother Helen and older sister, Cora.O'Dell, 1970 p. 149 The rivalry became explicit in 1918 when Motion Picture Magazine conducted a poll among movie fans that garnered Pickford 158,199 votes to Clark's 138,852 (53% to 47%).Basinger, 1999 p. 35: Similar statistics provided here on popularity poll.
As to Pickford's narrow margin of success over Clark in popularity, film producer Samuel Goldwyn, writing in his 1923 memoir Behind the Screen, provides this assessment:
For her contribution to the motion picture industry, Marguerite Clark has a star on the Hollywood Walk of Fame at 6304 Hollywood Boulevard. "Hollywood Star Walk: Marguerite Clark." Los Angeles Times. Retrieved: May 19, 2013.
| September 24 – November 10, 1900 | The Belle of Bohemia | Rosie Mulberry |
| October 7 – November 30, 1901 | The New Yorkers | Mary Lamb |
| May 5 – August 30, 1902 | The Wild Rose | Lieutenant Gaston Gardennes |
| January 19 – May 1903 | Mr. Pickwick | Polly |
| June 22 – July 18, 1903 | George W. Lederer's Mid-Summer Night Fancies | Dorothy |
| October 2, 1905 – June 2, 1906 | Happyland | Sylvia |
| December 3, 1908 – January 16, 1909 | The Pied Piper | Elviria |
| April 10 – August 7, 1909 | The Beauty Spot | Nadine, General Samovar's daughter |
| January 10 – January 22, 1910 | The King of Cadonia | Princess Marie |
| January 20, 1910 – Closing date unknown | The Wishing Ring | |
| May 10 – June 1910 | Jim the Penman | |
| August 23, 1910 – Closing date unknown | Baby Mine | Zoie Hardy |
| October 14 – December 1912 | The Affairs of Anatol | Hilda |
| November 7, 1912 – Closing date unknown | Snow White and the Seven Dwarfs | Snow White |
| May 1 – May 1913 | Are You a Crook? | Amy Herrick |
| October 27, 1913 – Closing date unknown | Prunella | Prunella |
| + Film | |||
| 1914 | Wildflower | Letty Roberts | Lost film |
| 1914 | The Crucible | Jean | Lost film |
| 1915 | The Goose Girl | Gretchen | Lost film |
| 1915 | Gretna Green | Dolly Erskine | Lost film |
| 1915 | The Pretty Sister of Jose | Pepita | Lost film |
| 1915 | The Seven Sisters | Mici | Lost film |
| 1915 | Heléne of the North | Heléne Dearing | Lost film |
| 1915 | Still Waters | Nesta | Lost film |
| 1915 | The Prince & the Pauper | Prince Edward/Tom Canty | Lost film |
| 1916 | Mice and Men | Peggy | Lost film |
| 1916 | Out of the Drifts | Elise | Lost film |
| 1916 | Molly Make-Believe | Molly | Lost film |
| 1916 | Silks and Satins | Felicite | |
| 1916 | Little Lady Eileen | Eileen Kavanaugh | Lost film |
| 1916 | Miss George Washington | Bernice Somers | Lost film |
| 1916 | Snow White | Snow White | |
| 1917 | The Fortunes of Fifi | Fifi | Lost film |
| 1917 | The Valentine Girl | Marion Morgan | Lost film |
| 1917 | The Amazons | Lord Tommy | Lost film |
| 1917 | Bab's Diary | Bab Archibald | Lost film |
| 1917 | Bab's Burglar | Bab Archibald | Lost film |
| 1917 | Bab's Matinee Idol | Bab Archibald | Lost film |
| 1917 | The Seven Swans | Princess Tweedledee | Lost film |
| 1918 | Rich Man, Poor Man | Betty Wynne | Lost film |
| 1918 | Prunella | Prunella | Incomplete film |
| 1918 | Uncle Tom's Cabin | Little Eva St. Clair/Topsy | Lost film |
| 1918 | Out of a Clear Sky | Countess Celeste de Bersek et Krymm | Lost film |
| 1918 | The Biggest and the Littlest Lady in the World | The Little Lady | Lost film; a short about war bonds |
| 1918 | Little Miss Hoover | Ann Craddock | |
| 1919 | Mrs. Wiggs of the Cabbage Patch | Lovey Mary | |
| 1919 | Three Men and a Girl | Sylvia Weston | Lost film |
| 1919 | Let's Elope | Eloise Farrington | Lost film |
| 1919 | Come Out of the Kitchen | Claudia Daingerfield | Lost film |
| 1919 | Girls | Pamela Gordon | Lost film |
| 1919 | Widow by Proxy | Gloria Grey | Lost film |
| 1919 | Luck in Pawn | Annabel Lee | |
| 1919 | A Girl Named Mary | Mary Healey | Lost film |
| 1920 | All of a Sudden Peggy | Peggy O'Hara | Lost film |
| 1920 | Easy to Get | Molly Morehouse | Lost film |
| 1921 | Scrambled Wives | Miss Mary Lucille Smith | Lost film |
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